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A Work of Art by
Kellie Underhill
The instinct to create art from life runs through Cathleen Richards-Green's veins.
"I remember drawing in Grade 3," she laughs. "My father is an artist. When the
Beaverbrook Art Gallery opened he had a painting in there. And I guess that's really what spurred my interest in art. I've
been drawing since I was quite little."
A native Miramichier, Cathleen left the area for six years and studied in the
United States.
"It's good to live away for awhile. I think it broadens your scope a little,"
she says.
At Cerritos Community College in California and Central Piedmont Community College
in North Carolina, she studied Art History, free-hand drawing, life drawing, design, printmaking and other courses.
"But not painting," Cathleen shrugs. "I didn't take painting. I took what I would
consider the basics to get into art. Good drawing and design skills are most important to any work of art and that's what
I concentrated on. The oil painting and water colour, I've been learning on my own and I hope I'll always be learning
something new in regards to painting with colour."
Besides being a self-taught painter, Cathleen also taught herself computer skills.
About a year ago she knew little beyond the basics, but now she designs and maintains The Green Gallery, a virtual art gallery filled with her work.
| Early Morn |

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| Oil on stretched canvas, 24x18 Click to enlarge |
The Green Gallery showcases an array of styles and mediums including Cathleen's
favourite piece to date called Early Morn.
"I woke up in the spring, probably in March one morning, and the light in the
sky was just so beautiful, and the reflections on the snow. I thought, 'I have to paint that,'" Cathleen recalls. "The huge
pine tree in the background, like a silent sentinel - it was a special sight to me every morning. A couple of years ago that
tree was chopped down. I really felt heartbroken about losing it . . . so, I'm glad now that I did the painting."
| Beaubear's Island |

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| Oil on stretched canvas, 16x12 Click to enlarge |
Cathleen's fondness for the sky can be seen in many of her paintings especially
the work called Beaubear's Island.
"Where Nelson Rural School is you can sit in your car in the parking lot and at
a certain time in the summer look right across the river and watch the sunset directly across from you. And it is absolutely
beautiful," she exclaims. "The clouds were pink in that sunset. They were absolutely pink and I had to capture that. The colours
were just awesome I thought. I had watched the sunset there so many times that I had to record it."
| From My Window |

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| Click to enlarge |
But Cathleen doesn't have to leave the house to find inspiration. She sees an
abundance of beauty right outside her window and captures it from the comfort of her living room.
"It was an overcast day in November. We had no snow and the sun was peeking through
the cloud here and there. It lit up the grass in the field across the street and just made it look wonderfully golden," Cathleen
recalls. "I loved the scene. I just opened the blinds and stood in my living room with my easel and paints and painted it."
However, most of her work begins with a sketch.
"My very favourite thing to do is to sketch from life. To sit and sketch something
while looking at it, not a photograph, but the actual scene," she says.
| Kelly |

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| Pastel Portrait Click to enlarge |
Capturing life as it happens may be her passion, but Cathleen says portraits are
the exception. Portraits are easier when done from a photograph rather than a live model. Finding a willing subject to sit
still and pose can be difficult.
Recently, she was commissioned to do a portrait as a Christmas present.
"I loved the work, it turned out really well," she says. "And
it pleased the woman I sold it to."
Cathleen enjoys working on commissioned portraits partly because she must
finish the piece within a certain timeframe.
"It's an effort really, sometimes to just settle myself in to working,"
she sighs. "I think that's why when I'm commissioned to do a portrait I love it because then I must make the time.
I'm always happiest when working on a project and to find the time everyday, that's my biggest challenge."
She believes she may have found a way to do just that.
"I'm meditating in the morning," she smiles. "In the mornings I spend about
a half-hour of really quiet time."
And she is beginning to notice positive results.
"I find the meditation is just quieting things down and actually I end
up with more time or I use my time more wisely," she laughs. "I'm starting to notice a difference. I've just started this
in the past few months so I'm hoping it will make a difference to my life. And if it makes a difference to my life it will
to my artwork too."
She attributes some of the changes in her outlook on life and her work
to the milestone she celebrated in December when she turned 50.
"I just feel a change coming on," she says. "My work is changing. I haven't
been doing much but I feel such a change in myself that I know when I really get back at it, it's going to be different. My
work is quite detailed and I love the Impressionist artists because of their lack of detail. They use colour to express everything
and there doesn't have to be a lot of detail. I feel that my work will be moving more in that direction."
| Miramichi Hotel |

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| Oil on stretched canvas, 20x16 Click to enlarge |
The attention to detail that has marked much of her work so
far is apparent in paintings like the Miramichi Hotel.
"I'm attracted to older buildings. Anything new
doesn't appeal to me. I've been asked to do people's houses. The house can be absolutely beautiful but if it's modern it doesn't
appeal to me and I just can't do it," she laughs.
"Older buildings seem to have a character almost like people do," Cathleen
continues. "Any painting is a recording of something I've seen and I don't want it gone. You hear tell of buildings overnight
burning to the ground and you don't want things like that to disappear. They seem to have faces to me almost. And I'm attracted
to faces, you know to working with faces. Really to me an old building is like an old face. The older it is the more character
lines and the more interesting it becomes."
| A Zuni Governor |

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| Graphite on bristol paper (private collection) Click to enlarge |
Cathleen's passion for faces shows itself in works like A Zuni Governor.
"Around 1982 I did a series of Natives," she says. "The native spirituality attracts
me and I think that's why I was so attracted to these faces. It's their eyes; there's such nobility in their eyes."
Originally, there were seven or eight pictures but now she only has two and they
are promised to her son, not for sale.
"But I can do more," she laughs. "I did one for a sister for a 25th anniversary
a few years ago. I hope to get pictures of some of the others I've done to put up on my website. It would be nice to have
them there as a record of my work."
Cathleen sells her work out of her home. Although she has shown her work at Carrefour
Beausoleil, most of her sales come by way of word of mouth from friends and happy customers.

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| Cathleen Richards-Green |
And she adds, "I'm just now investigating having prints made and selling prints
of my work. I think that is really the way to go."She would really like to see art promoted more in the area, especially for
children so we see more art coming out of the schools. A very innovative and creative woman, Cathleen has some great ideas
about how to accomplish that.
"I would love to see ongoing shows in public places like the town hall to promote art
for the school kids, and not just school kids I mean other artists around too," she says. "I don't think people realise how
much great stuff is happening here. There's some really, really beautiful work and talented artists around here."
To see more of Cathleen's work visit The Green Gallery online. If you would like to commission a portrait or purchase one of the works
Cathleen has on hand, please email her at greenpallet@hotmail.com.
Kellie
Underhill is the editor of Bread 'n Molasses.
Her writing credits include The Moncton Times-Transcript, The Brunswick Business Journal, The Atlantic Chamber Journal
and The Reader magazine. Send your comments about this article to editor@breadnmolasses.com.
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